Geek Girl Reviews: Ottawa Fringe Festival

A WEEKEND AT THE FRINGE
By Courtney Lockhart

The Ottawa Fringe Festival kicked off its 18^th season this past Thursday taking over 16 performance spaces downtown for 10 days of awesome, exciting theatre.  Being a former theatre kid and current theatre lover, this is the start to my summer every year.  I managed to pull myself away from the various keyboards in my life to check out a few shows this past weekend and can honestly say that while I was surprised by some of the shows,  I was never disappointed.

AGAINST GRAVITY- MIND OF A SNAIL PUPPET CO.

Audience Participation can change this show from really neat to phenomenal. These two talented ladies from Vancouver  use shadow puppets and ever evolving music to  tell the dreamlike story of a man trying to follow his heart. If you are not in the mood to play along and be a little silly, you might want to avoid this one.

CAN’T ARGUE WITH PUSSY- JH5 PRODUCTIONS

This show was not what I was expecting but turned out to be really fun anyways. Jenn Hayward and Rebecca Reeds are stand-up comedians who wrote this show as a way to tell the jokes and stories they aren’t able to get away with in comedy clubs.  From complaint letters to dating woes and bodily functions this is not one for the squeamish types.

CUPIDITY-JESSICA FITZPATRICK

A highly entertaining look at what watching way too many romantic comedies can do to a girl’s brain. Fitzpatrick’s turn as Annie Miller will leave you laughing, cringing  and  wanting to reconsider your Netflix queue.

KAVALIER’S KURIOSITIES- DEAD UNICORN INK

This was another example of a show not being quite what it’s festival guide write up leads you to believe.  A dark drama based behind the scenes of a traveling freak show, Kuriosities has impressive performances and enough moral ambiguity to leave you talking about it long after you leave the theatre.  

MR AND MRS JONES- YOU RUNG? PRODUCTIONS

 This was my favourite show of the whole weekend. The high energy and very charismatic Lizzie Tollemache & David Ladderman take you through the tale of famous New Zealand Mentalists/scam artists Mr and Mrs Jones while giving you a taste of their popular vaudeville act.  I recommend getting to the space early for this one.  It has been one of the top selling shows and seating is limited.

OTHER RECOMMENDATIONS

As always, there were shows that I didn’t get to catch in person but sounded really good. They included: 

-          Iredea, a post-apocalyptic dance performance with a completely original score.

-          Who Killed Gertrude Crump,  to quote the enthusiastic cast member I spoke to “ It’s a mystery… WITH PUPPETS!”

-          Kitt and Jane: an interactive survival guide to the Near-Post-Apocalyptic Future, Two teenagers hijack a school assembly to teach the audience how to survive the approaching end of days

-          Dicky Dicky, a naughty, nerdy sketch comedy show from a creative team with an impressive resume of fringe hilarity including last year's Die, Zombie!, Die!

The Ottawa Fringe Festival runs until Sunday June 29^th.  Tickets are generally $10, after the purchase of a $3 fringe button.  

 Courtney Lockhart lives in the west end of Ottawa with her husband and step-cat.  She is polishing her skills to pursue one of her dream careers as either a costume drama character, Torchwood operative or executive assistant to a billionaire vigilante. You can follow her daily mission to DFTBA on Twitter @corastacy.

Geek Girl Review: Roller Derby Saved My Soul

ONCE MORE AROUND THE TRACK: NANCY KENNY'S ROLLER DERBY SAVED MY SOUL THROUGH THE EYES OF A RETIRED DERBY PLAYER
By Katie Bonnar

60 minutes: the exact length of a roller derby bout and, coincidently, the running time of Nancy Kenny’s phenomenal fringe show, Roller Derby Saved My Soul. Capital Geek Girls has mentioned this show before and Assistant Editor Courtney and I were lucky enough to be able to attend the one-off fundraising performance here in Ottawa before Kenny headed off across the country to Canadian fringes far and wide for performances and to film her documentary on Canadian fringe festivals.

As a retired derby player, I had two prevailing thoughts going into the performance: how can roller derby translate in a theatre space? And, will non-derby audiences “get” it? The short answers to both are through clever staging and YES.

Using very pared down set, the story moves through several environments without fuss. A simplified track is taped out on the floor and a bench is placed in the centre with her few props. Scenes switch fluidly from Amy’s apartment to the track and even out to the bar for celebratory drinks. Kenny’s script fills in the scenery and ensures the focus stays on the performance. Through an elaborate superhero-esque montage, Kenny suits up in her roller derby equipment fairly early on in the performance, leaving her to perform the bulk of the hour-long show in full roller derby gear- even skates!

Nancy Kenny’s time spent on skates and around roller derby women definitely shows. Her protagonist, Amy, embodies one of the two most common personas in roller derby, the timid superhero-wannabe. While Amy’s sister June, also played by Kenny, is alpha female through and through. Having been away from the game for over two years, I could finally see what Kenny was highlighting. Roller derby is a highly-charged and dramatic environment – fertile ground for humorous commentary and her witty script delivers regardless of your knowledge of the sport. Rink rash, when explained in gory detail, is remarkable and amusing to all, while the inlines vs quad skates argument bubbles up briefly and gives the initiated a chance to knowingly smirk. That each girl assumes a derby name, which must be unique and registered with a worldwide roster is, let’s be honest, teetering on the ridiculous. Though I did check, and my name is still registered.

Kenny goes about this mild roasting of roller derby with respect and admiration. She has chosen to single out the very best parts of the game and leave them as the focus. While roller derby may completely absorb your time, leaving little for friends and family, there is a strong sisterhood formed over hours on and off the track that develops and, for better or worse, replaces many non-derby friends. And, to her credit, Kenny makes it very clear: roller derby is filled with body diversity. There is room for every shape and size on the track – something few other competitive sports can proudly boast. She also touches upon the emotionally-charged aspects of an all-female team and how that can, in many circumstances, become a safe place for experimentation and personal expression.

Roller Derby Saved My Soul plays touching and clever homage to a sport that reaches beyond the physical game. It is a passion, a family and for so many women like Amy, their doorway to becoming the superhero that’s always been lurking inside, waiting for her chance to shine.

Kenny will be performing at eight different fringe festivals across Canada this summer: London, Montreal, Toronto, Winnipeg, Calgary, Edmonton, Victoria and Vancouver. Highly recommended for non-derby and derby aficionados alike.

Katie Bonnar is a modern renaissance woman, which is reflected in her interests. She is a seriously devoted fan of music, art, photography, arm chair economics, fashion, culture, language and My Little Pony. She's an early adopter and, while obsessed with the visually stunning and well-designed, she's also on a quest to minimise the ephemera in her life. You can find her on Twitter at @iamkatiebonnar