Showing posts with label Superheroes. Show all posts
Showing posts with label Superheroes. Show all posts

Thursday, 2 October 2014

DC Comics, Sexism and Pyjamas: A Reflection

DC COMICS, SEXISM, AND PYJAMAS
By Marie Victoria Robertson


As some of you may know, one of my biggest frustrations related to the younger generation is gendered children’s toys. Every time I think that maybe we’ve done some progress, I walk through a toy store and overhear things like, “No son, those are girl toys. The boy section’s over here” and “I can’t like Transformers, I’m a girl”. I’ve nearly had to be physically restrained to keep from speaking up to the parents. I hate the idea of a baby doll somehow damaging a boy’s psyche just like I hate the idea of a Transformer being a sacred, boys-only thing. On the same note, I’m tired of finding little boys’ clothing with trucks and baseballs on them. When I tried to buy my son a pink shirt a while back, all I could find was frilled and bedazzled stuff I wouldn’t even let a hypothetical daughter wear. Enough already.

A few days ago, the now-infamous “Score! Superman does it again!” and “Training to be Batman’s wife” DC T-shirts made the rounds. I saw them, I scoffed, and filed them under “Wow, comics disempowering its female characters and its female fans, big surprise.” And then I saw Target’s DC baby pajamas: a pink “I only date heroes” and a boyish-gray “Future man of steel”. Come on. I mean, come on.

I get that a marketing department somewhere thought it was a cutesy idea for a girl’s outfit, and I’m willing to grant that maybe they weren’t thinking of the larger implications of this message, but that is exactly the problem. The idea that boys will grow up to the superheroes, and girls will grow up to hopefully marry a superhero, is so ingrained in our societal consciousness that no one gave it a second thought until the shirts and pyjamas hit the shelves. Never minding the fact that the grey pyjamas make no mention of boys in terms of relationships and sexuality, while the pink ones are doing nothing but that. Did I mention the baby pyjamas were meant for a three-month-old?

We need change in the comics industry, but take a look at what we’re doing. These pyjamas and shirts and toys are meant for the kids that are going to grow up to be the future creators, writers, artists, performers, etc. of superhero comics. We’re not even giving them the opportunity to make up their own minds about gender and society and how it all related to superheroes. We’re bombarding them, essentially from birth, with the message that girls are welcome in the comic book world, but only if they marry into it. 

Why aren’t we telling our girls that they can totally grow up to be heroes? Why aren’t we telling our boys that power doesn’t equal masculinity, and that it’s okay to not be strong? If my son wants to grow up to marry Wonder Woman instead of being Superman, that’s just fine by me. Can we just let kids decide what they really like, and what they think is really important, instead of forcing them to repeat our mistakes? 

“But for goodness’ sake!” you might exclaim. “It’s just a kid’s outfit. Chill out. If you don’t like it, don’t buy it.” Sure, and I won’t buy it, but the problem isn’t just with the pyjamas, or the T-shirts, or the next piece of clothing or toy or movie or advertisement that comes out with this same tired message—these are all the result of a mindset that still, in this day and age, encourages boys to grow up into men defined by their strength, and encourages girls to grow up into women defined by their relationships with these ever-so-strong men. A mindset that produces children’s clothing telling girls their value lies in their appearance and their ability to please men. A mindset that slaps pink pyjamas on a three-month-old girl that basically tells her, “You can’t be a hero, but at least you can date one.” 

The issue isn’t that the pink pyjamas exist. It’s that they exist as the only choice for girls. If you’re going to market a T-shirt or a pyjama that showcases who kids are going to grow up to date, at least have it go both ways. Give me Wonder Woman “scoring” Superman. Give me a powder-blue “Training to be Batwoman’s Husband” pyjama, ideally next to a pink “Training to be a superheroine” shirt. 

And even better, put them next to “Training to be Batman’s Husband/Batwoman’s Wife.”  





Marie Victoria Robertson is a published speculative fiction writer and playwright, as well as the board president of Jer’s Vision: Canada’s Youth Diversity Initiative (www.jersvision.org). When all the other girls wanted to marry Johnny Depp, she wanted to run away with Worf on the Enterprise. She enjoys giant robots, time-travel paradoxes, and forcing her son to watch Futurama.

Tuesday, 27 May 2014

Flash Forward: Hopes For CW's The Flash

Spoiler Alert: There are some very mild spoilers for season two of  Arrow in this article. You have been warned.

FLASH FORWARD: HOPES FOR CW’S THE FLASH
By Courtney Lockhart

If you caught the season finale of Arrow on regular broadcast television, You were given a sneak peak of Grant Gustin in his full Flash ensemble.  However, if you were like me and watched through Itunes or one of the authorized apps, then the extended trailer The CW released the next day  made up for missing out.   Check out the videos below:



Other than the fact that the show was happening and Gustin’s casting, until these clips Greg Berlanti and Andrew Kreisberg  had kept somewhat tight lipped about  what would be going on in Central City this fall.  The lengthy first look helped, but  still left a lot of room for interpretation.  Based on  the few interactions Team Flash and Team Arrow had this season and the previews above here's what I'm hoping to find on Tuesday nights.

TO THINE OWN SELF BE TRUE:

Back when a new Star Trek series every few years was more of a thing, I used to joke that if you wanted an extra season of Next Generation just watch the first six months of Deep Space Nine. There tends to be a learning curve on any new television show. The writers need to get to know the actors, the actors need to understand their characters. Spin offs have a secondary problem. They also have to find their own unique voice separate from the product they spun off from. 

The Flash can’t try to be Arrow. It needs to be The Flash. The dark, militaristic, survivor viewpoint of Oliver, Diggle and Roy is going to look pretty misplaced on Barry and company.  Likewise, if the tall broody crew tried to be too awkward and up the humour quotient, it would look fake and disingenuous to the characters we care about.  I’m hoping the rookie show will learn from its older brother’s mistakes and we’ll see a cohesive product far before mid-season.

PROCEDURAL IS NOT A DIRTY WORD

While long elaborate story arcs are rewarding for long term viewers, there is something to be said for some straight forward bad guy of the week action. Especially in the early days, when drop-in viewers are most likely. I’m hoping they will take advantage of Barry’s day job in forensics to take us on some good old fashioned whodunit cases. It has already been established that he has a habit of dropping everything to follow strange and unusual cases, that is how he got to Starling City in the first place. Which brings me to my final wish:

REALISTIC CROSSOVERS

Felicity is already buddy-buddy with the S.T.A.R Labs crew and the extended trailer shows Barry asking Oliver for some advice on life under the mask. Obviously, this means they are planning on a certain level of fluidity between the two shows. Which I love, as long as it makes sense.  Some programs dutifully squeeze in a crossover every sweeps to the point where you can almost predict when that story will happen. 

What I would like to see is smaller, more appropriate swaps.  Is A.R.G.U.S going to decide that Flash is a threat to national security?  Without handy access to Queen Consolidated Applied Sciences division is Oliver going to need to ask Caitlin and Cisco to help him synthesize some pit viper venom or anti-toxin herbs? There is a fine line between acknowledging you are occupying the same space and relying on it. 


Even if I don't get everything on my wish list, given the cast and  production team I am very excited to add The Flash to my viewing list. Serious question though: Do you think it will download faster from iTunes than the other shows? 

Courtney Lockhart lives in the west end of Ottawa with her husband and step-cat.  She is polishing her skills to pursue one of her dream careers as either a costume drama character, Torchwood operative or executive assistant to a billionaire vigilante. You can follow her daily mission to DFTBA on Twitter @corastacy.


Tuesday, 18 February 2014

Jumping Ship: Rooting for Romance on "Arrow"

by Courtney Lockhart

JUMPING SHIP: THE ROMANCES OF 'ARROW'

The term Shipping refers to seeing two characters on a show and wanting them to get involved romantically. ‘Ship’ is used as a short form of relationship. If you support a character pairing you Ship It or are a Shipper. There also tend to be cute name mash ups to rival any celebrity couple.

To give you a better idea of how this plays out, let’s take a look at the two major Ships of The CW’s Arrow. This reimagining of the Green Arrow not only had Oliver Queen facing off against baddies far and wide, but also delivers a healthy dose of personal drama. Some people find this a weak point on the show, however, star Stephen Amell defended it on his facebook page . “My favourite characters on television are flawed; because - non Arrow spoiler alert - real people are flawed. Real people have messy lives. Characters with cracks are more interesting.” One of Oliver’s cracks is definitely his complicated feelings for two of his closest friends: Laurel Lance and Felicity Smoak. I consulted a few devoted fans of both Lauliver (Laurel/Oliver) and Olicity (Oliver/ Felicity) to find out what makes a person ship one way or the other.

TEAM LAULIVER: THE CANON-BALL RUN

Laurel and Oliver shippers get a head start on proving why their couple should reign supreme thanks to the comics. In DC comics, Laurel is the Black Canary, one of Green Arrow’s crime-fighting partners and at one point his wife. Laurel as a character and Katie Cassidy as the actor portraying her were referred to as his leading lady and love interest throughout initial press offerings. Before you saw even one scene of the show you were told that you should be rooting for this couple.

“They’re two great actors with a special chemistry.” @fedinsss told me as a firm Lauliver supporter. “Oliver’s love for Laurel has never disappeared. <It’s the> same for Laurel.” @Anisah945 agreed. “I like the relationship they have together… I ship people that I think make a good pair and Laurel and Oliver are really cute together.”

Chemistry, or the perceived lack thereof, is one of the major points of contention between shipping factions.  “I don’t like being told characters are in love when I see absolutely no sign of it on the screen.” @SmoaknArrow, a well-known Olicity supporter, countered when asked about Laurel and Oliver's chemistry.  @juliealindsay added that “<They> have nothing in common aside from their sketchy past...that's just a big 'no' for him and Laurel in my mind.”  I won't get into details in order to avoid spoilers, but the number one reason Olicity supporters gave me for not supporting Oliver and Laurel was the fact that given their history, if they were in Ms Lance's shoes, Oliver would not  be let off the hook so easily.

Sometimes the rapport and electricity between two characters can overpower the writer's original intentions. No amount of protestation that it can’t happen because of the characters’ marital status or sexual preference will silence it. Fans will read into the smallest look or camera angle to prove their point that someday, somehow they will get together. It will be discussed for hours on twitter. Fan fiction and music videos will be created setting the scene for this eventual coupling.  In Arrow, this magically land of what-if mixed with when-will belongs to Oliver and Felicity.

TEAM OLICITY- EMBRACING THE SLOW BURN

The character of Felicity Smoak, played by Emily Bett Rickards, was supposed to be around for one episode. She was supposed to be just another wink at the comic readers in the audience. However, just like Oliver himself,  the writers found the spunky I.T girl to be more useful and special than first glance. “From Felicity's first appearance I was captivated by her.” @juliealindsay explained “ I wanted to see more of her because she made me smile. Then I noticed how she made Oliver smile and that intrigued me.” 

Felicity's ability to crack the billionaire vigilante’s gruff facade  is a key piece of  the Olicity case.  “You see her draw out this better man and you see him draw out her adventurous, bold spirit.” @smoaknarrow commented.

So they work well together and make each other feel better. Does that make a romance? “I don't think Oliver has feelings for Felicity in that way.” @anisah945 argued. “Even if he does he wouldn't want to risk their friendship.”   No one is doubting that the computer guru is a great character, in fact that's part of the reason some Lauliver fans don't want her to end up with Ollie. “I love Felicity...I think she deserves a man just for her! She would always be a rebound for Oliver.” @fedinsss said supportingly.

If you ask Arrow fans, myself included, they know a show like this is something special.  With an open and easily accessible cast who often tweet and instagram from set, writers who tease the viewers on a regular basis and executive producers who will actively distribute fan art they enjoy, the last thing they want to do is ruin a good thing.  When someone steps out of line and starts personally insulting the actors you’ll find others quick to correct the behaviour even if  it's not their favourite character. No one wants to give the cast and crew reason to shut down and not share.


With this month's announcement of a season three pick up, the discussion is far from over. 

Courtney Lockhart lives in the west end of Ottawa with her husband and step-cat.  She is polishing her skills to pursue one of her dream careers as either a costume drama character, Torchwood operative or executive assistant to a billionaire vigilante. You can follow her daily mission to DFTBA on Twitter @corastacy.

Monday, 17 February 2014

Comic Book Review: Ms Marvel #1

By Thea Nikolic

MS. MARVEL #1 by G. Willow Wilson & Adrian Alphona - art, Ian Herring - Colour Art


In November of 2013 it was revealed that the new Ms. Marvel, replacing Carol Danvers who became Captain Marvel, would be Kamala Khan, a young Muslim teenager from Jersey city. I remember seeing articles pop up on my news feed on Facebook and after reading about the upcoming title, I was excited. Her look and costume were also revealed showing a conservative superheroine costume befitting a young girl who also happens to be Muslim.  Who is this Kamala and what will she be like? It was this title that made me seek out a Marvel title as I am normally a DC girl. And I was not disappointed.

I thoroughly enjoyed this first installment. Kamala is a teenager who writes SuperHero fan fic, wants to attend parties with boys and has a HUGE obsession with the Avengers. She has disagreements with her parents (who won't let her go to said parties), she has a super devout brother and she doesn't drink alcohol.  The art is great and tells the story effectively with little jokes inserted into the panels. I am really looking forward to the next issue to see where it goes.

SPOILERS AHEAD************************************************

Kamala sneaks out against her parents' wishes to go to the party at the waterfront. What she finds there are the people that she thought would accept her being there, but instead take her disobeying her parents as a free pass to ridicule her family and faith. Leaving the party a strange fog comes over the city that everyone, including Kamala sees. But Kamala has a different experience. She passes out and when she wakes up, she is convinced that she is drunk as she has Captain America, Iron Man and Captain Marvel (Carol Danvers) floating in front of her stating that they are "Faith". They bestow upon her a gift that may not turn out exactly as she's hoped.  The final panel has her in the traditional Ms. Marvel costume, with blond hair. It feels like she is still in the dream sequence so where it goes from here, is anyone's guess.


Thea Nikolic aka Critical Miss has been cosplaying for several years and has just recently started hosting panels at various conventions about cosplay. She is also an actor, so she loves to play and act like her various characters that she loves. You can follow her cosplay shenanigans with her costuming husband at their Facebook page . You can also follow her on Twitter @HarleyQuinnBabe as well as on Instagram harleyquinnbabe. 

Sunday, 9 February 2014

Supergirls Vs Superboys: Do the Olympics Send a Bad Message?

by Jordan Danger

ARE THE OLYMPICS PERPETUATING THE MYTH OF WEAK FEMALE HEROINES?

source: canada.com

On my mini ski-vacation this week, my partner and I watched the first few days of the 2014 Sochi Olympics. The Olympics are the reason I still have cable TV. I love the Olympics more than Shark Week, and that’s saying something. But I was disappointed as I watched back-to-back coverage of the new snowboarding event called the ‘slopestyle’ course: the downhill track rife with pipes, rails, and jump-offs. It’s an impressive and controversial event, given that medallist Shaun White took himself out of the running because he felt the event would be too dangerous.

We watched the men take the course first. They flew down that track, performing aerial flips and spins that I’ve only seen in SSX games on the Playstation. I held my breath the entire time, watching them defy gravity and perform like superheroes. I decided this was my new favourite event.

Then the women came out, and I was tense with anticipation…until I watched a few head down the hill.

No women did anything that would be at all comparable with the boys’ high-flying stunts. It was, in comparison, a bit of a snooze. I pointed this out to my boyfriend and he reminded me that most Olympic events have a different standard for men and women. But this is one I don’t understand. Yes, women don’t typically have the mass to be as fast as men; and yes, in a physical game (like football or something of the sort), women also would have a hard time competing with men of the same athletic training. But women are gymnasts and figure skaters! We are lithe and dextrous and acrobatic! The lack of big tricks being pulled by women in this event made me wonder: are these lower standards truly based on a physiological limit we’re respecting? Or are we enforcing a cultural belief that women can’t/shouldn’t do more?

source: DCcomics.com
It makes me think of our fictional superheroines and how they so often seem to be play ‘supporting actress’ to the male heroes. I don’t agree with this and it drives me crazy. If Thor and Superman started battling it out, the ruckus would be loud, and messy, and involve a lot of head-smashing; and yes, there may be women heroines who’d need to steer clear of the entire foray if they wanted to keep their lives. But I’d wager that the comparatively powerless Black Widow could take ol’ Clark Kent down in about thirty seconds. She’d do it before his guard was up, by swapping a pair of Kryptonite-woven tights into his bag while disguised as an intern at the Daily Planet. But even without sneaky shenanigans, I’d also put my money on Batgirl taking out either of these giants: she’d use her smaller size and greater agility as part of her strategy, working to have the boys bash at supporting pillars etc, ‘til they accidentally brought themselves down with falling debris and whatnot.


My point here is this: women and men may perform feats of athleticism/heroism to different standards, but do we perpetuate the myth that women would score lower and have lower standards in each and every situation? If the women can’t get the same speed and air happening on the slopestyle event, should we consider creating a second hill that better suits the strengths of women’s bodies and gives women a chance to showcase their own mad skills? If we acknowledge there is a difference between a man and a woman’s bodies, then do we just reinforce a sense of women’s inferiority by having women run the exact same course even though we score 20-30 points less at our best or cannot even attempt half the same moves as the boys? Why not build that second track for women with more angle, longer rails, more balance-related pipes, or whatever it is that would help to showcase the physical superpowers of the female body? It’s not about building an easier track for the women—not at all. It’s about building a kick-ass track where women can really use their physiological makeup to its full potential.
 
source: Marvel.com
I’m getting a little sick of the message that women and men are equal, because people interpret that to mean we’re equally good at all the same things in all the same ways. This is why, when people ask you which super would win in a battle against another, they so rarely ask a guy-vs-girl scenario. We need to stop thinking of equal as ‘the same’ and think of it like XP points: Thor may have level 9 strength, but he’s only got level 1 smarts, so my Black Widow, with her level 2 strength but level 8 smarts, is a fair competitor. Just don’t expect her to run straight at you, hollering, like Superman would.

Levelling the playing field isn’t always about making men and women do the same thing the same way: it’s about getting to the same goal (like a perfect 100-point Olympic score) by whatever methods are appropriate for the physiology of that person’s sex.


Not only is my money on Black Widow against Superman, by the way: it’d also be a lot more fun to watch than the usual bash-bash-smash-bash the boys bring us.

Jordan Danger is a veteran blogger, writer, and marketing consultant based in Ottawa, Ontario. She is also President and Editor of CapitalGeekGirls.com. Jordan blogs at GirlCrafted.com, a lifestyle blog about crafting life both literally and figuratively. She loves DIY projects, her dog, and Oxford commas.

Thursday, 23 January 2014

Geek Girl Review: The New Harley Quinn Comic

By Thea Nikolic 


The New Harley Quinn Comic by Amanda Conner & Jimmy Palmiotti
So a few months ago there was an announcement about a new Harley comic that would be coming out, and there was a contest associated with the comic for finding some artists to be a part of the project. That contest consisted of drawing some comic panels. Now the subject of those panels was not up the artist's choice, they had guidelines that they had to follow. And this is where the internet uproar began. The panel ideas that the artists had to draw were for different ways that Harley would kill herself. There were other aspects that people were displeased about and you can read about the apology that was issued by DC here (http://www.themarysue.com/dc-apologizes-harley-quinn/
I have to admit that I was one of the people up in arms about this. Being a hard core Harley fan, an avid Harley cosplayer and lover of the original Bruce Timm depiction of her, I was unhappy with where the character was going. I am not a fan of the New 52 costume that they gave her in The Suicide Squad comics (hate actually) and to see the request for her to kill herself in one panel "naked in a bathtub with toasters, hair dryers etc and she has the cord to release them all", I was upset. This was not MY Harley.
People were not convinced that the pair of writers Amanda Conner and her husband Jimmy Palmiotti who wrote a very successful run of Powergirl, would be able to pull this around.
Fast forward several months to HARLEY QUINN Issue 0 coming out. My husband bought it for me to read, given that the writers are known for good storytelling and that I should give it a chance. So I did. And you know what? I really enjoyed that first one. Now keep in mind that Issue 0 is completely different from how the rest of the series will continue, but it certainly caught my attention. First off, the cover is beautiful. Done by Amanda Conner and Paul Mounts, it shows Harley, still in a revealing outfit but revamped to look like a Roller Derby one, which is super cute and I kind of want to cosplay that too. The issue itself shows Harley talking to a stuffed animal, who incidentally talks back, when the writers start interjecting and breaking the 4th wall of the comic. Then Harley gets to experience a different artist on each page and what they would make her look like, including a page by the great Jim Lee and my favourite, Bruce Timm. Now think back to the contest for artists, well there is a panel that indicates that the writers while speaking to Harley misconstrue what the Suicide Squad was all about, and what followed was several panels showing her in different ridiculous possible suicides, i.e holding a chicken over a swamp full of alligators. The panel made complete sense to me and I understand what the writers and DC were going for. The contest was just not explained properly in my opinion.  What was really exciting about this comic was the discovery of artists of whom I was unaware like Darwyn Cooke whose super cute 60's graphic style really caught my eye, among others. By the end of the comic, they finish with Chad Hardin and a clue leading into the next issue.
Super fun read (especially if you read it out loud like I did to my husband in classic Arleen Sorkin style), beautiful to look at and left me excited for the next comic. Can't wait to follow up with that.


Thea Nikolic is a lover of all things geek. You can follow her cosplay and cabaret exploits on facebook on her page https://www.facebook.com/criticalmissandretrojoad. She is also one of the Geeks at http://www.geekxgirls.com/ where she has various photoshoots and other articles. She is looking forward to writing more for CGG.



Wednesday, 15 January 2014

Wonderful Wonder Woman: can they bring her to life on screen?

by Jenn Kelly

So. Word on the street is that they've cast Wonder Woman for the new Superman/Batman movie. It seems to be all the rage now, creating movies about superheroes (of which I'm very glad we've left the vampire/demons/wolf phase). Which makes me wonder, why aren't they making a Wonder Woman movie? Because if they can find an auspicious plot for a man who controls bugs, I'm sure they can perfect our gorgeous Amazonian.

Back in 2011, they attempted a Wonder Woman series. Which bombed and never even made it past the pilot. Maybe it was because they tried to make it a series. Maybe it's because it was 'created' by David E Kelley. Yes, the same Kelley who created all those law shows, including Ally McBeal. What could he possibly know about superheroes? Easy! Make Diana Prince a lawyer! Who chases criminals through crowded shopping malls on the side.

In 1943, Wonder Woman's creator, William Moulton Marston, (who also invented the polygraph y'all)
explained it perfectly - "Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power. Not wanting to be girls, they don't want to be tender, submissive, peace-loving as good women are. Women's strong qualities have become despised because of their weakness. The obvious remedy is to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman"

I grew up in the 70's. A-hem. Every week I'd turn up the TV, let it warm a few minutes, wrap my orange crocheted quilt around my neck, jump off the couch and become Wonder Woman. Not only could she run fast, her lasso could stop any explosion, catch any thief. She was graceful and she had class. Sure she wore a tiny costume, but she was never blatantly sexual, you know? She was kind, sweet, compassionate. She stood up against injustice and inequality. She was a Warrior Princess! And I grew up with the powerful realization that I could be a 'tough' princess, a 'fighting for injustice' princess ... just like Wonder Woman! She gave us permission to be more than little girls.

Wonder Woman has been labelled an icon. And rightly so. I still look up to her. Because I can be tough and sweet, a warrior and a snuggler. I can wear my husband's old jeans with a pink, frilly t-shirt. I can go hunting, ride a BMX and plant red geraniums. Wonder Woman encourages a girl to be who she is. A girl. No labels. No expectations. Because not only does Wonder Woman kick ass, she can also cry. And still be Wonder Woman.

Why do we have to trivialize her?


So, here it is. They create a Wonder Woman movie. A simple plot that covers her beginnings as an Amazon Warrior, and her reasons for coming to earth. And while she's saving that hunk of a supporting-actor, make him strong. Make him independent. Make him easy to respect. Because Wonder Woman is worthy of a well-respected man. And then make her choose fighting justice over settling for love. Because no one wants Wonder Woman to get married and fight crime after tucking the kids into bed. It's too exhausting. 

Jenn Kelly is a published author who is learning the girl geek-dom.  You can visit her webpage that she is supposed to update, but never does. http://www.jennkelly.com/ Um...that's all.

Tuesday, 14 January 2014

The Hawkeye Initiative: Origins and Legacy

by Emily Towsley

As a little girl running around the school yard pretending to be Sailor Mercury - the short haired one always got to be Sailor Mercury - I dreamed that one day I could look just like the lean, leggy and well-endowed sailor scout. 
artist: http://deimos-remus.deviantart.com/

Fortunately, I grew into a normal sized adult woman, with both a spine and internal organs, though the way that women are drawn in comics you could be forgiven for thinking that neither spines nor organs are essential for the female figure.

Women in comic books are frequently posed in sexual ways, or drawn in a manner that suggests weakness, even when they are supposed to be the “strong” character. How much force can be behind the punch they’re dealing the villain, if she’s contorted in such a way as to show both her breasts and her ass?

This is where the Hawkeye Initiative came from. 

“How to fix every Strong Female Character pose in superhero comics: Replace the character with Hawkeye doing the same thing” was the statement Gingerhaze shook the tumblr universe with, and soon images and drawings came pouring in. Artists, who were also sick of the way women are portrayed in comics, were putting the manly Hawkeye character from Marvel’s Avengers in some of the more ridiculous poses female superheroes endure.

The twisting, contorting, pouting, and posing that had become normalized in the female image looked weird and wrong, now that we were seeing them in the male figure. This gave the audience a reason to take a step back and think, why is this the way women are posed?

The Hawkeye Initiative seems to be a step in the right direction - we need dialogue and debate in order to make changes happen in comic book art. However we need to be careful that this discussion doesn’t just fade into tumblr history as something that gave us a laugh in 2013, and nothing more. 
artist: Chris Thorne - christhorneart.tumblr.com

It’s not that women aren’t supposed to look alluring, or sexy, however the costumes and poses given to ladies by comic book artists are impractical, anatomically impossible, and severely limit the abilities of these female superheroes in their respective worlds. Lady superheroes also need to protect themselves, fight the bad guys, and camouflage, just like the men, and something as useless as Power Girl’s “boob window” is completely unnecessary for anything practical, or even sensual. 

Many artists have taken the Hawkeye Initiative as inspiration to re-imagine and redraw some of the famous book super heroines in poses and costumes that make sense, and do not demean women for their sexuality. *

I hope that if I have a daughter in the distant future, she can also run around the playground pretending to be the superhero that inspires her the most, and feel like she can one day grow up to be just like her. Finally, she doesn’t have to be just sexy, to be a super heroine.

Emily Towsley, can be found either teasing her cat, or philosophizing with a customer over coffee in her second-life as a barista. Messages of support regarding her addiction to Netflix, and news of vintage teacup sales can be left on her twitter. (https://twitter.com/emtowsley) Her spare time is spent reading copious amounts of books, (https://www.goodreads.com/user/show/7246432-milie) or working on her latest blog. (http://spineonline.ca/emily-towsley/)


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